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“Revival” is plenty of fun, but it’s not a wholesale rejection of the catchy, simplistic dance-pop that Gomez has peddled since breaking through in 2009. “You’ve seen my ups, and you’ve seen my downs,” Gomez told the packed Verizon Center crowd. “Revival” may be an over-the-top title for a second album from a 23-year-old, but Gomez has had a contentious few years: She fired her parents as managers, broke up with Justin Bieber, dealt with rumors about drug addiction and underwent chemotherapy to treat lupus. Despite its title, topless cover photo, restrained writing and adult-oriented lyrics, the album and accompanying tour find her dipping her toe into the pool of maturity rather than doing a cannonball (or belly-flop, depending on your perspective), as Christina Aguilera did circa “Stripped” or Miley Cyrus since “Bangerz.” Gomez is in the midst of that last step in the cycle, and she released her sophomore album, “Revival,” in October. Gomez is not just a spokeswoman for the hair-care company but one of the latest proponents of the music industry’s version of “lather, rinse, repeat”: Find success with Disney, branch out into pop music, mature into “adult” artist. Album DescriptionSelena Gomez’s “Revival” tour stopped at Verizon Center on Saturday night, and fans looking for a memory didn’t have to settle for a T-shirt or a poster: They could also take a photo against a backdrop sponsored by Pantene.
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See More Your browser does not support the audio element. It makes for a solid pop album overall, but it's a little too formulaic and predictable to rate among her best work.
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There are some songs as good as anything she's done and the production is professional all the way thanks to heavy hitters like Stargate, Max Martin, and Hit Boy. Despite a few too many songs like this, there is still much to like about the album. Whether on the confessional piano ballad "Camouflage," the bruising "Sober" or the cartoonishly sexy "Good for You," it feels forced and overdone. She aims for several kinds of maturity here, but in the process the music suffers.
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The songs that don't fare as well are those where Gomez sounds most personal. She also does a fine job on the tracks that slip outside the bounds of the formula, namely on the snappy, sassy Charli XCX-written "Same Old Love" or the steamy, tricked-out Latin beats and weird synthesizers in "Body Heat." These tracks show at her best, dialing up her personality to match the wit and imagination shown in the arrangements. Gomez sounds most at home on the uptempo dance tracks like "Kill 'Em with Kindness" or "Me & the Rhythm," where the smoothness of her voice fits in with the vacant abandon of the beat. Instead, the album sticks pretty close to a club bangers-and-ballads mix with a couple of R&B-inspired jams thrown in. Taking more control over the album, with more writing credits and production oversight, the sound veers away from the bubblegum nature of her early work or the genre-hopping aspects of other releases. Revival is something of a fresh start for Gomez, both musically and personally. A label change (from Hollywood to Interscope), a very public breakup with longtime on-off boyfriend Justin Bieber, management issues, various rehab rumors, and even a few good things (a hit single, a charting collaboration with Zedd). Buy the album Starting at 22.09€ĭuring the short time since her last album, 2013's Stars Dance, and the release of Revival in 2015, Selena Gomez went through about a decade's worth of stuff.
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Purchase and download this album in a wide variety of formats depending on your needs.